In the Count of Monte Cristo When Did the Count Realized He Could Fine Love Again? Dumas Edition

Love, Devotion, and Redemption Theme Icon

The Count of Monte Cristo is a story of revenge and redemption, simply Dumas presents both revenge and redemption as being motivated by love. At the beginning of the novel, Dantes is about to marry his love, Mercedes, but the jealousy of those around him leads him to be falsely imprisoned on his betrothal day, which takes away his young life and thwarts his romantic fulfillment. Dantes is also a dutiful son to his loving father, Erstwhile Dantes, and Dantes recognizes, too, that his relationship to Old Morrel, the possessor of the vessel on which he sails, is one of paternal and loving devotion. After escaping from the prison at the Chateau D'If, Dantes, every bit the Count of Monte Cristo, spends years exacting revenge on those who have betrayed him, but this does not return to him the happy life that was once in his grasp. Instead, Dantes' life is but redeemed once he accepts romantic honey from Haydee, a more than platonic and friendly love for Mercedes, and a familial love with young Morrel and his intended, Valentine.

Dantes loses a neat deal in being wrongfully imprisoned—his freedom of movement, his career—but most devastatingly, he also loses, for a time, the loving bonds that tie him to others. In this sense, Dumas understands Dantes' loving relationships to his father, Mercedes, and Old Morrel as standing in for all the happiness that might have been his, had he non had the misfortune to run afoul of the jealous and cowardly Danglars, Caderousse, Villefort, and Fernand. And love, Dumas'southward central indicator of happiness, is not exclusive to Dantes, either. Information technology is Fernand'south loving devotion to Mercedes that prompts him to get forth with the treacherous plot that allows him to eventually marry her and movement with her to Paris.

During his time in prison house, Dantes convinces himself that his purpose should be to verbal revenge on those who have wronged him. But this desire occludes Dantes', and and then the Count's, loving devotion to Mercedes, Erstwhile Dantes, Sometime Morrel, and specially the Abbe Faria, whose aid and teachings in prison salvage Dantes's life, permit him to learn the languages and philosophies of the world, and grant him access to the treasures of Monte Cristo. On his release from prison, Dantes, disguised as the Count and Sinbad the Sailor, is able to visit the room where his male parent lived, to find Mercedes in Paris, and to relieve a substantial banking debt of Old Morrel's. Merely these aims, motivated as they are past love and devotion to the most of import people in his life prior to prison, are overshadowed past his desire to seek out Caderousse and exam him, and to punish and publicly humiliate Danglars, Fernand, and Villefort, whom he views equally his mortal enemies. Dantes' urge for revenge keeps him from seeing love as an avenue for personal redemption.

The Count's study of the world'due south mechanisms of revenge, which he explains to Albert de Morcerf and his friend Franz during their time together at Roman carnival, becomes more of import to the Count than the forging of new relationships of love and care. But the Count, in his life as an "avenging angel," does indeed class these relationships. Although he initially purchases Haydee equally his "slave" because she is the daughter of the Ali Pasha, and thus a source of data about Fernand's treacheries in the Greek wars, he comes to fall in honey with Haydee, witnessing her devotion to him, and the joy and care with which she lives in his home. And although he is at offset but fascinated past young Morrel'due south positition in French society, and later by his betrothal to Valentine, Villefort's daughter, he comes to love and care for these two on their own terms, as people important to him in his new life. The Count believed, afterwards his release from prison house, that he could never honey over again—still his burgeoning relationships with Haydee, young Morrel, and Valentine point to a new place for love and redemption in his changed, post-prison life.

After Fernand's suicide, and the Count's realization that his desire for pure vengeance has acquired him to misunderstand the relationship between justice and God's will, the Count meets with Mercedes in Marseille, and realizes that he loves her now, simply in a new manner. Their relationship can no longer be the same: Mercedes did, after all, marry Fernand, owing to that human being'southward treachery, and the possibility of their immature life together was destroyed. But the Count, in his terminal conversation with Mercedes, recognizes that he is devoted to her as an emblem of goodness and care experienced in the past, and as a person who remembers him as Dantes, a man he can no longer be outwardly, but the man at the root of his moral identity today. This devotion, along with recollected love for Old Dantes and Old Morrel, joins with the Count's acceptance of new possibilities in honey. Thus, in realizing his newly-forged love for Haydee, and in making young Morrel and Valentine the heirs to his vast fortune, the Count goes almost re-creating, in love and care, the family that was taken from him then cruelly as a fellow. And he does this through the connected recognition of, and reflection on, his ideal love for Mercedes, a figure devoted to the retentivity of their once-shared love. Although the Count cannot redeem his romantic honey for Mercedes, he tin express devotion to her in their changed, platonic circumstances; and he can redeem himself, through transferring that loving care to his new family—Haydee, Morrel, and Valentine.

Love, Devotion, and Redemption ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Love, Devotion, and Redemption appears in each chapter of The Count of Monte Cristo. Click or tap on any affiliate to read its Summary & Assay.

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Love, Devotion, and Redemption Quotes in The Count of Monte Cristo

Below you volition notice the important quotes in The Count of Monte Cristo related to the theme of Love, Devotion, and Redemption.

Come, now ... I accept a better opinion than you of women in general, and Mercedes in detail, and I am persuaded that, whether I were a captain or non, she would remain faithful to me.

Folio Number: 21

Explanation and Assay:

I regret having helped you in your investigation and said what I did to you ...

Why is that?

Because I take insinuated a feeling into your heart that was non previously there: the desire for revenge ...

Let usa change the subject.

Page Number: 168

Explanation and Analysis:

And at present ... farewell, goodness, humanity, gratitude ... Farewell all those feelings that nourish and illuminate the middle! I have taken the place of Providence to reward the expert; now let the avenging God make way for me to punish the wrongdoer!

Folio Number: 300

Caption and Analysis:

What country does the Count come from? What is his language? What are his means of support? Where does his huge fortune come up from? What was the showtime half of this mysterious and unknown life, that it has bandage over the 2d one-half such a night and misanthropic shadow?

Page Number: 435

Caption and Assay:

How can you live like that, with nothing attaching you to life?

It is not my mistake, Madame. In Malta I loved a girl and was going to marry her, when the war came and swept me away from her similar a whirlwind. I thought that she loved me enough to wait for me, even to remain true-blue to my tomb. When I came dorsum, she was married.

Page Number: 772

Explanation and Assay:

I was taken to the bazaar. A rich Armenian bought me, educated me, gave me teachers and, when I was thirteen, sold me to Sultan Mahmoud.

And from him, I bought her, as I told you, Albert, for that stone equal to the one in which I go along my lozenges of hashish.

Oh, my lord, how good and bully you are ... How fortunate I am to belong to you!

Page Number: 861

Caption and Analysis:

Oh, God. Oh, God, forgive me for denying You. You do indeed exist, You are the father of men in heaven and their approximate on earth. Oh, my Lord, I have long mistaken You! My Lord God, forgive me! My god, my Lord, receive my soul!

Page Number: 931-ii

Explanation and Analysis:

What would you say if you knew the extent of the sacrifice I am making for you? Suppose that the Lord God, after creating the globe, after fertilizing the void, had stopped one-tertiary of the manner through His creation to spare an angel the tears that our crimes would i solar day bring to His immortal optics. Suppose that ... God had extinguished the sun and with His pes dashed the world into eternal night ...

Page Number: 985-vi

Explanation and Assay:

Yes, I share your promise: the wrath of heaven will not pursue us, you who are then pure and I then innocent. But since nosotros are resolved, let u.s.a. human activity promptly. Monsieur de Morcerf left the business firm around half an hr ago; so, equally you lot run into, nosotros accept a good opportunity to avoid scandal or explanations.

Page Number: 1003

Explanation and Analysis:

You encounter, the angel for whom you lot longed has left this globe. She no longer needs the admiration of men – she, who, at this moment, is adoring the Lord. So say your farewells, Monsieur, to these sorry remains that she has left backside among us.

Page Number: 1099

Explanation and Assay:

Oh, yep, now. That's where the trying times will begin. You know what is agreed?

Accept we agreed something?

Yeah, it is agreed that you will live in Marseille and I shall leave for Africa. There, instead of the name I have given up, I shall make for myself the proper noun I take adopted.

Folio Number: 1140

Caption and Analysis:

Yep, he is gone. Good day, my friend! Farewell, my sis!

Who knows if we shall ever meet them again?

My dearest ... has the Count not just told u.s. that all human wisdom was contained in these 2 words – 'look' and 'hope'?

Page Number: 1243

Explanation and Analysis:

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Source: https://www.litcharts.com/lit/the-count-of-monte-cristo/themes/love-devotion-and-redemption

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